Stylistic Devices: Parallelism, Anaphora, Tricolon
Formula
Examples
Usage
- •Add rhythm, emphasis, and memorability to speech and writing
- •Common in speeches, advertising, slogans, and literary writing
- •Make ideas more persuasive and easier to remember
More Examples
Government of the people, by the people, for the people.
Parallel preposition + noun (Lincoln) — also a tricolon
Ask not what your country can do for you — ask what you can do for your country.
Chiasmus / reversed parallelism
It was the best of times, it was the worst of times.
Anaphora ("it was…") with antithesis
Veni, vidi, vici. (I came, I saw, I conquered.)
Classical tricolon with rhythmic build-up
Yes we can. Yes we can. Yes we can.
Anaphora used in oratory for emphasis
Common Mistakes
- ✗Broken parallelism: ❌ "She likes to swim, hiking, and to read" → ✓ "She likes to swim, to hike, and to read" (all infinitives).
- ✗Overusing rhetorical devices in business/academic writing — can feel forced or theatrical.
Tips
- ✓Three is a magic number — tricolons feel naturally satisfying ("life, liberty, and the pursuit of happiness").
- ✓Match grammatical form across parallel items: all -ing forms, all infinitives, or all noun phrases — never mix.
Advanced Notes
Rhetorical devices operate on the listener's ear and memory as much as on meaning. Tricolons exploit the cognitive "rule of three" — two items feel incomplete, four feel exhausting, three feel satisfying and conclusive. Anaphora (repeated opening) creates building momentum; epistrophe (repeated ending) is its less-known mirror. Chiasmus (AB-BA reversal) produces the most memorable single-line formulations in the language. At C2 level, active recognition matters as much as production: exam tasks often ask learners to identify and comment on these devices in literary or political texts. Broken parallelism (mixing grammatical forms across a list) is among the most common writing errors at any level.
Compare With
Other C2 Topics
Cleft Sentences
Used for splitting a clause to emphasise or focus on one key element
Subjunctive Mood
Expresses necessity, demands, or hypotheticals in formal registers
Advanced Passive Voice
Used for distancing, causative, and impersonal reporting in formal contexts
Future in the Past
Expresses what was planned or expected from an earlier point in the past
Fronting and Marked Themes
Used for moving elements to sentence-initial position for contrast or thematic emphasis
Information Packaging (Existential There, Extraposition)
Used for controlling where given and new information falls for maximum clarity